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Author

Books

Wright, James K, They Shot, He Scored: The Music, Methods and Milieu of NFB Film Composer Eldon Rathburn (Montreal: McGill-Queen’s Press, under contract, forthcoming 2017)

Wright, James K. and Alan Gillmor (eds.), Schoenberg’s Chamber Music, Schoenberg’s World (Hillsdale, NY: Pendragon Press, 2009). Available at Amazon.Com, Amazon.Ca and Pendragon Press

REVIEW: Frank J. Oteri, “Cover to Cover: Schoenberg Through his Chamber Music,” Chamber Music Magazine (a publication of Chamber Music America), January/February 2010, Vol. 27, No. 1, pp. 56-58.  Schoenberg_Cover to Cover.  See also Brian Simms, Notes: Quarterly Journal of the Music Library Association (Sept. 2010), 134-36

Wright, James K. Schoenberg, Wittgenstein and the Vienna Circle ( Bern: Verlag Peter Lang, second edition 2007). Available at Peter Lang Publishing

REVIEWS: Garry L. Hagberg, Philosophy in Review, Vol. 26, No. 6 (2007), 449-52. HagbergReview(WrightSchoenbergWittgenstein); Robert A. Sharpe (Emeritus Professor, University of Wales), Philosophical Investigations (July 2006), 306. Robert A Sharpe (Review) – Philosophical Investigations (July 2006)

Published Articles

Wright, James K. “Schoenberg’s Liszt: ‘Greater than an Artist: A Prophet!’” in Michael Saffle (ed.), Liszt’s Legacies (Hillsdale, NY: Pendragon Press, 2014): 29-41.

Wright, James K. “Review of Edward Walden’s Beethoven’s Immortal Beloved: Solving the Mystery,Notes: Quarterly Journal of the Music Library Association, 69/2 (Dec. 2012): 281-84.

Wright, James K. “Schoenberg, Mozart, and the Viennese Spieltrieb,” in Hartmut Krones and Christian Meyer (eds.), Mozart und Schönberg: Wiener Klassik und Wiener Schule (Vienna: Bolau Verlag, 2012): 177-93.

Wright, James K. “Mahler’s Contrapuntal Complexities and Berg’s Opus 6: ‘One of the Most Remarkable Noises Ever Imagined.’” Synthesis
and Innovation in the Works of Gustav Mahler
[Studien zur Wertungsforschung 54] (Vienna: Universal, 2012): 110-25.

Wright, James K. “The Persistence of the Sentence-structure Paradigm in the Tunes of Tin Pan Alley” (under review, 2015).

Wright, James K. “ ‘One of the most remarkable noises ever imagined’: Berg’s Opus 6 and Mahler’s Contrapuntal Complexities,” Studien zur Wertungsforschung: Synthese und Innovation im Schaffen Gustav Mahlers (Wien: Universal, 2012).

Wright, James K. “Building a New World:  Gustav Mahler and Arnold Schoenberg (ca. 1905-1908)” in Peter Revers and Eliszabeth Kappel (eds.) Text and Context: Mahler’s Eighth Symphony (Vienna: Universal, 2011).

Wright, James K. “‘The Story of My Life’: Weinzweig’s Divertimento Series,” in John Beckwith and Brian Cherney (eds.), Weinzweig: Essays on His Life & Music (Waterloo: Wilfrid Laurier University Press, 2010): 225-67.

Wright, James K. “Glenn Gould and Second Vienna School Reception in the Soviet Union,” in James K. Wright and Alan M. Gillmor (eds.), Schoenberg’s Chamber Music, Schoenberg’s World (Hillsdale, N.Y.: Pendragon Press, forthcoming 2009).

Wright, James K. “Commentary on Asynchronous Preparation of Tonally Fused Intervals in Polyphonic Music,” Empirical Musicology Review, 3/2, 2008, 68-72. https://kb.osu.edu/dspace/bitstream/1811/31942/1/EMR000036b_Wright.pdf

Wright, James K. “Air of Another Planet: Glenn Gould’s Modernist Mission in Moscow and Leningrad,” Glenn Gould Magazine, 13/1 (Spring 2008), 38-44.

Wright, James K., & Bregman, Albert S. “Auditory Stream Segregation and the Control of Dissonance in Polyphonic Music,” Contemporary Music Review, 2/1, 1987, 63-92.

Conference Presentations

Wright, James K. “Mahler’s Contrapuntal Complexities and Berg’s Opus 6: ‘One of the Most Remarkable Noises Ever Imagined.’”
International Symposium: Gustav Mahler and Alban Berg, Kunstuniversität Graz, Graz, Austria, November 19, 2010.

Wright, James K. “Building a New World: Gustav Mahler and Arnold Schoenberg (ca. 1905 – 1908)” A Symphony Must be Like the World – Text and Context of Gustav Mahler’s Eighth Symphony, Conrad Grebel University College, University of Waterloo, June 19, 2010. (Also presented in conjunction with the National Art Centre Orchestra’s performance of Mahler’s Symphony No. 8, Ottawa, June 18, 2010.)

Wright, James K. “Wittgenstein’s Conception of Mathematical ‘Scaffolding’ and Problems of Formalism in Post-tonal Theory and Composition,” Music and Numbers (conference of the Society for Music Analysis), Christ Church University, Canterbury, England, May 14-16, 2010.

Wright, James K. “Glenn Gould’s Conception of Performance as Slavery,” Paper presented to the Canadian University Music Society, Ottawa, May 30, 2009.

Wright, James K. “’Harmony of the Spheres’: A Musical Voyage into Space.” Annual Meeting of the Royal Society of Canada, Canadian Museum of Science and Technology, October 16, 2009.

Wright, James K. (panel chair) “Air of Another Planet: Glenn Gould’s Modernist Mission in Moscow and Leningrad.” International panel: Glenn Gould: Global Perspectives, Canadian Museum of Civilization, Gatineau, Quebec, September 29. 2007.

Wright, James K. “Glenn Gould and Second Vienna School Reception in the Soviet Union.” July 27, 2007. Paper presented to an International Symposium, I Feel the Air of Another Planet: Schoenberg’s Chamber Music, Schoenberg’s World, Carleton University, Ottawa, July 26-30, 2007.

Wright, James K. “Homo Ludens: A Game-theoretical Approach to Music Theory and Composition,” Conversations: Music Scholarship Unbound, University of Michigan, Ann Arbor, February 14, 2007.

Wright, James K. “Understanding Modernist Aesthetics Sub Specie Ludi.” Paper presented to the Annual Conference of the Canadian University Music Society, Université de Montréal, Montréal, Québec, May, 2007.

Wright, James K. “Jean Papineau-Couture: Mid-Twentieth-Century Post-Tonal Experimentation in Canada.” Guest Lecture Series, University of Ottawa, March 30, 2007.

Wright, James K. “Schoenberg, Mozart, and the Viennese Spieltrieb,” Symposium: Vienna Classicism, Vienna Circles, Arnold Schoenberg Centre, September 10-13, 2006.

Wright, James K. “Mysticism, Ineffability, and the Musical Art Object Sub Specie Aeternitatis,” Forum on Music and Christian Scholarship, CalvinCollege, Grand Rapids, Michigan, February 25-26, 2006.

Wright, James K. “Wittgenstein’s Conception of Music Aesthetics,” Hawaii International Conference on Arts and Humanities, January 13-16, 2006.

Wright, James K. “Schoenberg, the Early Wittgenstein, and the Proper Role of Aesthetics and Art Criticism.” Colloque international: Wittgenstein, l’art, l’architecture, Centre Canadien de l’Architecture, Montréal, October 12-14, 2005.

Wright, James K. “Schiller’s Bird’s, Schoenberg’s Aircraft, and The “Icarus Principle”: the Is/Ought Dichotomy in Music-Theoretical Epistemology.” Paper presented to the Canadian University Music Society, London, Ontario, May 30, 2005.

Wright, James K. “‘In the Beginning was the Deed’: Schoenberg and Wittgenstein on the Limits of Language in Religion, Ethics, and Music Aesthetics.” Forum on Music and Christian Scholarship, Princeton University, February 20, 2005.

Wright, James K. “Matters of Fact: Schoenberg, Wittgenstein, and the Vienna Circle.” Paper presented to the Joint Meeting of the American Musicological Society and the Society for Music Theory, Columbus, Ohio, November 2, 2002.

Wright, James K. “Schoenberg, Wittgenstein, and the Vienna Circle.” Colloquium, Faculty of Music, McGill University, September 21, 2001.

Wright, James K. “From Rameau’s Corps Sonore to Bregman’s Auditory Scene: Psycho-Acoustic Models for Understanding Harmonic Grouping and Interval Quality,” Paper presented at the 25th International Congress of the International Musicological Society, Royal College of Music, London, England, August 16, 1997.

Wright, James K. “The Dead Interval: Auditory Stream Segregation and the Control of Emergent Qualities in Polyphonic Music,” Paper Presented at the Fifth Workshop on the Physical and Neuropsychological Foundations of Music, Ossiach, Austria, August 17, 1985.